Saturday, November 2, 2013

Movie Showdown #3: Rosemary's Baby (1968) vs. Prince of Darkness (1987)

In honour of, and sadly not in time for, Halloween 2013, this Movie Showdown pits two pre-apocalyptic, religious horror films against in each other.

In one corner we have the iconic and much loved Roman Polanski suspense movie, Rosemary's Baby-- in which Mia Farrow goes through one heck of a hellish pregnancy (see what I did there? Because she's pregnant with the antichrist). In the other we have a surprisingly philosophical consideration of the old 'science vs. faith' argument and lots of cool 80s special effects in the haunting Prince of Darkness by the master of cool genre cinema, John Carpenter.

Which should you see? Read on, friends of the night.



Rosemary's Baby (1968)

When you're a full-blown horror fan, it becomes hard to be genuinely frightened by things. That's because horror fans have seen it all. We've been terrified by the soulless, knife-wielding maniac Michael Myers. We've dreamed of Freddy Kruger with his finger-knives. And we've spend hours pondering just what the hell happened to the kids at the end of the The Blair Witch Project.

Imagine my delight when I discovered Rosemary's Baby by Roman Polanski. Sure I had heard of it before. In-fact, I remember picking up a VHS copy of it in a video rental store as a teenager (yes, I am that old) and looking at Mia Farrow holding a butcher's knife and thinking, "No, this is too scary for me." I bought it on DVD the other day on sale at K-Mart and it scared the living shit out of me...And I'm not even religious!

Polanski masters the slow build here. Things begin normally, with Mia Farrow and her husband moving into a new apartment in New York. After a horrifying dream sequence (art-house style with scattered and horrifying images) in which she is raped by a demonic figure, things start to quickly deteriorate.

Now, I'm not even a believer and I was scared. You sort of get attached to Farrow's Rosemary. This is primarily because Farrow brings a vulnerable pixie innocence to the role. By the end, it's not entirely clear whether she's going through some kind of post-partum psychosis, or whether the devil is a very real threat to our beloved protagonist.

And the ending! Oh my. It's just something you have to watch and see for yourself. Suffice to say that Polanski nails it in such a weird and wonderful way. All the suspense pays off and you leave the movie with this gnawing sense of hopeless dread that just sticks with you.

Prince of Darkness (1987)

Watched this one last night with an 80s movie buff mate of mine, and really enjoyed it. The impression I get of John Carpenter is that he's this cool skinny guy who smokes a lot of pot and spends a lot of time reading stuff by Carlos Castaneda.

Prince of Darkness is filled with metaphysical questioning, and includes an old Asian physics professor spouting off stuff like: "Reality, as we know it, completely breaks down on the subatomic level. Prepare to enter into a world where the rules of classic reality doesn't apply."

If you're not a fan of philosophical rambling (I most certainly am), don't be deterred though, because at its core, Prince of Darkness is a tremendous horror film about demonic possession. A team of scientists and religious scholars are sent to study a strange artefact discovered in the bowels of a church. The artefact is eventually discovered to be the tomb of Satan himself, and manages to possess each scholar one-by-one.

The greatest thing about this movie is the use of 80s special effects. If you're a kid of the 90s, who grew up watching movies you weren't allowed to watch from the 80s (movies your parents said were just too scary/violent/sexual for you), you're sure to love Prince of Darkness (if you haven't seen it already). There are cool possessed people prosthetics, including one that is particularly haunting near the end of the film. There is a large John Coffey-esque black man who whimpers nervously as he cuts his own throat with a jagged piece of wood.

Also, look out for a cameo from Alice Cooper, who is fucking terrifying as a murderous hobo.

So, which movie should you see?



Rosemary's Baby

Even though I thoroughly enjoyed Prince of Darkness, it's just impossible to overlook Rosemary's Baby as a horror film and as a work of pure suspense. It just really stayed with me, and the ending is an example of a perfect ending for a horror movie for me. One that is utterly hopeless, and utterly horrifying.


Enjoy it if you haven't already.

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